A Calming Retreat

In June, right after school was over, and before I had even completed my grading, I went on silent retreat at the Jesuit Center at Wernersville, probably my last time there, as the Jesuits are selling the building and grounds. I needed that healing time.

In the weeks since, I have been taking stock, clearing out my hoard (fabric, mostly, but more will come), and working on getting healthy.

Here is a little photo essay of my time on retreat:

On the way, I stopped and walked the labyrinth at St. Thomas’ Episcopal Church near Lititz. On the way out of the labyrinth, the word embodiment came to me. That became the focus of my retreat. When I got home, I listened to sonia renee taylor’s The Body is Not an Apology. I liked it so much that I bought my own copy so I can underline bits and read sections to my classes.
My room. First time I have had air conditioning. It was very hot, so I actually spent more time in my room than usual.

I took along a white cloth and some red thread. I have been inspired by several instagrammer embroiderers to begin to create a story cloth, something that’s not specifically functional, but is more of a journal, a dialogue with my inner self. On one of the first days there, I was meditating on something I’d read, a Buddhist idea about the base of the spine being where the three rivers meet. I began to consider what my three rivers are. Along with embodiment, I received creativity, and magic/mysticism. So I began embroidering the flowering hand image I found framed on the wall–for creativity. Then I embroidered a full body–my body–with wings and a crown, to represent embodiment, being alive within this body. And later, I embroidered my stump, the center of my current magical work, representing the inner work and the spiritual connection to the Source of All Life. All three are connected to a center cauldron, which is the place where the three rivers meet. Other images above include some collages I made while meditating, a painting (“You can become all flame,” said the ancient desert abba), and the back of my #alonetogether sweater, which I completed during retreat.

Every year when I am at the monastery, I greet Jesus in the stairwell when I go up and down the stairs. This year, he and the painting of Mary with the sacred heart were especially meaningful as I held my anxieties about my father’s upcoming open-heart surgery (all has gone exceedingly well, and he is now recovering and regaining his strength).

More than almost anything, perhaps, I will miss this grand cathedral beech.

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