Harvesting from the Dreamtime

The Dreamtime this year has been. . .dreamy. We have Covid in the house, so we cancelled all our plans to attend family holiday gatherings this year. It was definitely sad, and yet we’re all homebodies, so we’re fine, other than feeling like we missed out, and missing our families.

And although it has been dreamy, we have been getting stuff done. I’ve been knitting and crocheting, painting, organizing, learning a lot of Swahili. Jon’s been spackling and painting and fixing stuff. Josiah has been getting his room ready to repaint.

Yesterday, I finished going through files from my previous job: I let that be a ritual of release. Whoosh! It’s out the door, into the trash, out of my life. I kept a few things–poems, articles, notes of encouragement. So, of course last night in the dreamtime, I was finding space for myself in buildings, and trying to negotiate what my feelings should be in the context of other people.

Here’s the dream: I am going to a funeral with a friend. I think that she was probably closer to the one who died than I was, so when she decides to wait in the hall before our group goes in to sing, I wait out there with her. But she looks bored, like she doesn’t really care about what is happening. I long to be in the service, so I leave her with some others in the hall and go in. When we get up to sing our special music, the man who is holding the hymnal for a couple of us in the singing group keeps shifting it away so I can’t see it. I keep shuffling to get a better view and he shifts it away again. I think we must look ridiculous to the people in the audience, so I just shift into the back row and ignore hymnal-guy. He’s left standing awkwardly alone in the front row.

In the second half of the dream, I am finding office/living space in the basement of the church where the funeral was. There’s a lovely big heavy curtain walling off my personal area from the rest of the basement, giving me privacy. Someone is concerned about the smell of shrimp. We discover five or six large (lobster-sized) peeled shrimp lying around my space. They smell strongly–not rotten, just shrimpy. The dog has been chewing on them, but doesn’t really like them. I think maybe we can clean this stuff up, and hope the odor doesn’t last.

Perhaps I am hoping that the “odor” of the really negative energy that still remains will not mar my new experiences. I not only have to rid myself of the old files and things, I still need to deal with the lingering bad energy. In the early morning, I found myself dreaming–again–of explaining carefully to someone why I was forced to resign my job.

I’m glad that I made decisions during the funeral part of the dream to do what I needed to do instead of being led by others’ notions, to let myself be emotionally involved in letting go instead of sitting outside, to step out of the dance of someone else’s manipulations.

This year, I am not feeling the desire to choose a single word or theme for the year. Usually I end up with layers of themes anyway. A week ago, I had a moment with a friend when the words Curious / Cure / Curator came into focus together. I’ve been playing also with the connection between Curative and Creative. And there’s another one to add: Connective.

So maybe this year does have an overarching theme after all: Harvesting and Foraging for words and ideas that suit. It’s a free association process, following the bright trail of words and images, expanding the dreamtime from the high holy days of late December and early January to the whole year. I’ve started painting cards with some of the words. Perhaps I’ll stop after ten or fifteen. Perhaps I’ll do a word a day for the whole year. Maybe I’ll end up with my own personal oracle deck.

Curious curiosity cure curator curative creative creator envision vision embolden bold badass connective secret spaces wonder welcome belonging wildness winsome wisdom widen spiral. . .


Gratitude List:

  1. Holding a little house finch in my hand as it came back to awareness and life after hitting the window. How its heart beat against my fingers. How its eye shifted around to find me. How it settled into the warmth of my hand. How it suddenly lifted and flew off. Such perfect feathers. Such lightness of being.
  2. Rumination time
  3. How prayer and magic connect us
  4. Zoom. Even though Covid kept us from family, we could still participate in some important conversation
  5. Dreaming myself into the cure
    May we walk in Beauty!

“Beauty is not a luxury but a strategy for survival.” —Terry Tempest Williams


“Your suffering needs to be respected. Don’t try to ignore the hurt, because it is real. Just let the hurt soften you instead of hardening you. Let the hurt open you instead of closing you. Let the hurt send you looking for those who will accept you instead of hiding from those who reject you.” —Bryant McGill


“Contrary to what we may have been taught to think, unnecessary and unchosen suffering wounds us but need not scar us for life. It does mark us. What we allow the mark of our suffering to become is in our own hands.” —bell hooks


“I came from a family of repairers. The spider is a repairer. If you bash into the web of a spider, she doesn’t get mad. She weaves and repairs it.” —Louise Bourgeois


“When you have an ancient heart and childlike spirit you must feel deeply, but go lightly. To trace and learn the language of waves. How all the seas carry secrets, yet still move freely. I am still learning how to be water.” —Victoria Erickson


“Between stimulus and response there is a space. In that space is our power to choose our response. In our response lies our growth and our freedom.” —Viktor E. Frankl


“We were made to enjoy music, to enjoy beautiful sunsets, to enjoy looking at the billows of the sea and to be thrilled with a rose that is bedecked with dew… Human beings are actually created for the transcendent, for the sublime, for the beautiful, for the truthful… and all of us are given the task of trying to make this world a little more hospitable to these beautiful things.” —Desmond Tutu
*:
“I’m restless. Things are calling me away. My hair is being pulled by the stars again.” ―Anaïs Nin


Leave your windows and go out, people of the world,
go into the streets, go into the fields, go into the woods
and along the streams. Go together, go alone.
Say no to the Lords of War which is Money
which is Fire. Say no by saying yes
to the air, to the earth, to the trees,
yes to the grasses, to the rivers, to the birds
and the animals and every living thing, yes
to the small houses, yes to the children. Yes.
―Wendell Berry


“If we surrendered
to earth’s intelligence
we could rise up rooted, like trees.

Instead we entangle ourselves
in knots of our own making
and struggle, lonely and confused.

So like children, we begin again…

to fall,
patiently to trust our heaviness.
Even a bird has to do that
before he can fly.”
―Rainer Maria Rilke


Martha Beck: “The important thing is to tell yourself a life story in which you, the hero, are primarily a problem solver rather than a helpless victim. This is well within your power, whatever fate might have dealt you.”


“We do not think ourselves into new ways of living. We live ourselves into new ways of thinking.

It seems that we Christians have been worshiping Jesus’ journey instead of doing his journey. The worshiping feels very religious; the latter just feels human and ordinary. We are not human beings on a journey toward Spirit, we are already spiritual beings on a journey toward becoming fully human, which for some reason seems harder precisely because it is so ordinary.” ―Richard Rohr


“What if nostalgia is not a fruitless dwelling on those irretrievable moments of the past, as we are taught, but an attempt by sweetness to reach you again?

What if nostalgia is really located in the present, like a scent or ambience which is gathering around you should you avail yourself to it.

As anyone who has been heartbroken knows, there comes a time when, long after loss has been well-lived with, a small melody of love always returns. And to your surprise, you may recognise the tone of that love as the very same love you believed you lost.

It’s then that you know that your love was always your love. And if you let yourself be unguarded to it, nostalgia may find its way back into the generosity of your presence.” ―Dreamwork with Toko-pa


“We often cause ourselves suffering by wanting only to live in a world of valleys, a world without struggle and difficulty, a world that is flat, plain, consistent.” —bell hooks

Following the Dream-Keeper

The Dreamkeeper, doll by Beth Weaver-Kreider

Every year at Solstice, I begin to watch my dreams very closely for images and ideas that might coalesce around a word or image that might become my theme for the coming year. This year’s theme was Embodiment, Magic, and Creativity, focusing on the word Embodiment. This year of Embodiment has been a doozy. I was attacked by parents at my school and ended up losing my job. My parents were both diagnosed with cancer and we nearly lost my dad. I got a new and incredibly satisfying job. I’ve learned to speak up for myself. My parents survived, my father almost miraculously. I’ve begun a new daily prayer practice which is fulfilling and connecting.

Part of me wants to kick 2022 out the door while yelling obscenities. Part of me wants to thank it for being a great teacher. Here I am on the first full day of a generous winter break with a little time to settle into the beginning of the process of year-end self-reflection, and looking forward to the future.

I am heading out soon for an over-due eye exam, perhaps my first word to put into the basket of consideration for the coming year should be Vision. Suddenly I have remembered that in last night’s dream, someone hands me a sheet of paper covered with exquisite drawings of eyes. I’m particularly caught by one eye with dark eye shadow and little white moons and stars along the upper lid.

In so many dreams throughout my life, I find hidden rooms in a house. I’ve always felt like it’s my Deep Self telling me that I am developing new inner capacity, or that I have inner resources that are not visible to everyone.

In Saturday night’s dream, I have been desperately trying to escape from people from a former job. A kind friend has been driving me all around the island, and we have managed to stay several minutes ahead of them, but they keep almost catching me.

Finally, I tell my friend to drop me off at my grandmother’s house. I grab my handful of special rings and quartz crystals and head through the first secret door. It’s in plain sight, but nobody ever seems to notice or go in there. Door after door, and stair after stair. Some moments when I’m almost discovered, but even then, there are more secret ways.

At one point, I accidentally come out of the secret part of the house into a library. I check out a book and tell the librarian to look out the window. When my pursuers ask where I went, he can honestly say he didn’t see where I went. I slip through a secret panel and back to safety.

I was so incredibly bothered when I woke up with how derelict the hidden rooms were. Sometimes when I dream secret rooms, they’re richly colored, with beds and couches and pillows, curtains and sparkling sun coming in the windows. The rooms in this dream were unfinished, filled with abandoned construction materials: wood and nails and broken things. Piled up by many of the doors were piles of filthy rags which people had dumped in there. There was a time this spring when I felt that someone had breached my spiritual spaces and dumped their garbage there. I have been expanding the safe zones inside myself since then, but perhaps this dream suggests that I need to get rid of the garbage that was dumped on me, create livable internal spaces, not just safe zones.

So I add Safe Space, Self-Preservation, and Moving In To My Self to the basket.


Gratitude List:
1. A generous break
2. Walking with a friend
3. Making all the appointments–catching up with the self-care
4. Moving In To My Self
5. Vision
May we walk in Beauty!


“Never miss an opportunity of noticing anything of beauty …” —Ralph Waldo Emerson


“The incredible gift of the ordinary! Glory comes streaming from the table of daily life.” —Macrina Wiederkehr


Never Broken

I am my own Home, now.
Wherever I move
the Light –
It moves with me.
I open all of the windows and the doors
so that God can come and go easily.
I don’t know why God takes such delight
in this House I call “Me.”
This place
where hearts come to be broken.
At the end of the Long Day I always ask.
“God? Why, hearts to be broken?”
And God always replies,
“Never broken, dear Lover—
only Opened.”
—Em Claire


“Find the antidote in the venom.” —Rumi


“Only two more days of the walk into the darkness. I am so grateful for the way the light kept finding me today. I’m not really on the edge, and I am not losing it, but I feel the edges of the panic, the sense of claustrophobia. I like the darkness. I love the inward-turn of winter, but always, at the edge, there’s the. . .well, the edge. So. There’s the Sun. And Stars and a growing Moon. And Mother Darkness. Comfort me. Disturb me.” —Beth Weaver-Kreider (from several years ago)


“I wonder what Piglet is doing,“ thought Pooh.
“I wish I were there to be doing it, too.” ―A.A. Milne


“People make meaning like bees make honey. Gathering experiences and images like bits of nectar and synthesizing it into something new, rich, and uniquely ours. Respect the meaning you make. The family you choose. The wisdom you craft, sweet and golden on your tongue.” —Jarod K. Anderson, The Cryptonaturalist

The Marker

At the T, where Indian Marker Road meets River Road, is a Plaque that commemorates the site of Conestoga Indian Town, where the last of the Conestogas lived–the Conestogas, who were the last of the Susquehannocks, a large and prosperous people at the time of the European invasion, tall of stature, who fished and farmed and traded and hunted and built large settlement-towns along the Susquehanna River. By 1763, their numbers were so greatly reduced by war, illness, attacks by colonists, and forced repatriation, that only this small village remained.

Yesterday I visited the marker again, on the 259th year since the genocidal ride of the Paxtang Boys murdered six of the remaining inhabitants of the tiny town. Someone had been there before me. A bundle of dried sage hung from the marker on a red string, new feathers were tucked into the crevices, and fresh roses were laid at the base of the marker. I added my stone, and turned to the east, where Chief’s Hill rises into the winter-grey sky.

Sheehays
Wa-a-shen,
Tee-kau-ley
Ess-canesh
Tea-wonsha-i-ong
Kannenquas

Several years ago, I memorized their names, feeling the new combinations of vowel and consonant slide up my throat and across my tongue, clicking my throat closed at those interruptive hyphens, wondering how close I was getting to the sounds they used for themselves. Then, a year or more after I had memorized their names, I woke up one morning, aware that I had been chanting them in a dream.

Today, in a pouch I often wear around my neck, I carry the list of their names, and of the final fourteen who were murdered on December 27th of that year, when the Paxtang Boys rode again.

I have no doubt that people were shocked and aggrieved and outraged at the murderous acts of the Paxtang Boys. Still, none of them were brought to justice. The murders of the Conestogas, the final act of genocide, went unavenged. Though Benjamin Franklin himself called out for justice upon them, justice was never done.

And today? What does justice look like, for the Conestogas? For other First Nations people here?

And who are the Paxtang Boys of today? Are we stopping them? Are we putting ourselves between them and the vulnerable people they would destroy? Who will speak out and stand up for the ones who stand in the path of the riders?

For more detailed information about the Susquehannocks, their origins, and this story, please buy a copy of Ghost River, a graphic novel with extensive interpretive text. From the web page: “Written by Lee Francis 4 (Sixkiller, Tales of the Mighty Code Talkers), illustrated by the incomparable Weshoyot Alvitre (Deer Woman: An Anthology, Sixkiller) and edited by Will Fenton (The Library Company of Philadelphia), this new graphic novel from Red Planet Books and Comics chronicles the last days of the Conestoga People and brings their story to light; a story of despair and hope, loss and love, ancestors and the ghosts of history that are always with us.”


Gratitude List:
1. Snow Day! (Ice Day, actually) My school does not do Remote learning during snow days, so I am resting and writing and folding clothes and reading. . .
2. The people who work for justice, who truly care about restoration, who believe that people are more important than institutions and structures
3. Boundaries. Good, strong, solid, clear boundaries
4. That one scarlet leaf up there in that bush
5. Fairy ice along every twig of the tiny Japanese maple on the hill.
May we walk in Beauty and Justice!


“We are the nurturers, the encouragers of all the dreams, all the seeds deep in all the hearts where the future of a redeemed and rescued land now dwells. So we hold fast and see beneath the snow, always calling others to recognize their own magnificent possibilities, to see and plant and join our hope with theirs.” —Vincent Harding, Hope and History


“How does a woman know? She listens. She listens in. Like light on waves.” —Margaret Atwood


“Every moment is a gift of life.” —Thich Nhat Hanh


“Only a fool knows everything.” —African proverb


“Note to self: If you want to have loving feelings, do loving things.” —Anne Lamott


“If you are not in the arena getting your ass kicked on occasion, I am not interested in or open to your feedback. There are a million cheap seats in the world today filled with people who will never be brave with their own lives, but will spend every ounce of energy they have hurling advice and judgement at those of us trying to dare greatly. Their only contributions are criticism, cynicism, and fear-mongering. If you’re criticizing from a place where you’re not also putting yourself on the line, I’m not interested in your feedback.” —Brené Brown


“God made mud. God got lonesome. So God said to some of the mud, “Sit up. See all I’ve made….the hills, the sea, the blue sky, the stars.” And I was some of the mud that got to sit up and look around. Lucky me. Lucky mud.” —Kurt Vonnegut


“‪The fact that feathers are naturally occurring objects is beyond awe inspiring.‬” —Jarod K. Anderson, The Cryptonaturalist


“‪The best poems are owls. A reflection of the landscape, but singular and strange. Smooth and effortless as smoke. A trick of the eye that scatters bones in the underbrush, hard and real.‬” —Jarod K. Anderson, The Cryptonaturalist

Definition

I’m trying to get at the idea that women and others who refer to themselves as witches very often do so because in the first place they have been marginalized because they cannot be pinned down in the rigid categories of the religious establishment. The label or identity of witch does not necessarily mean that one situates herself outside the bounds of church or religion, but that her spiritual practices or ways of seeing the world and the holy are threatening to the religious status quo. Witch may be a chosen identity marker, but it may also be an identity conferred by religious dogmatists. Although I have been revising and re-revising, it still feels to me as though this is a poem in process.

Witch (noun) wich,
SEE ALSO HERETIC,
a word used by the spiritual gatekeepers
within religious and social establishments
(no matter how nominal their own piety)
to denote those who cross the hedge
between the status quo and the wildlands
of spiritual inquiry.

the witch is an excuse
the witch is a scapegoat
the witch cannot be catalogued
the witch will not denounce her truth
the witch disrupts the proceedings
the witch does not offer herself up
to be easily understood

What they do not understand,
they call the Devil,
and banish and punish and shun.

When difference is disciplined,
how do the tamed ones
manage their sameness?

What they do not understand
is that they will snare themselves
in their own rules of order.

For when one question is proscribed,
who knows which questions
will lead to the mine field?
Better to eliminate questions altogether.

the witch is feral and free
the witch is both/and
the witch is a shapeshifter
the witch will ask a thousand questions
and expect more questions in response
the witch has already given herself a name


Gratitude List:
1. A winter-bare tree filled with crows in a drizzling mist
2. People who trust my essential goodness and don’t require me to prove my piety
3. Lunch and good conversations with beloveds
4. The joy of the last week of school before vacation
5. Clean windows. (It’s been a while. Don’t judge.)
May we walk in Beauty!


“The wrong shall fail, the right prevail, with peace on earth, goodwill to all.” —Henry Wadsworth Longfellow


“Organic images are destroyed if we subject them to linear thinking. How often we judge them as “bizarre” or “weird.” They need to be allowed to grow like plants in a spiraling movement. They carry emotional and imaginative energy as well as intellectual meaning, and as they spiral they are illumined with nuances of feeling. Hence their power to bring wholeness.” —Marion Woodman


“We need beauty because it makes us ache to be worthy of it.” —Mary Oliver


“Beauty is not a luxury but a strategy for survival.” —Terry Tempest Williams


“The insects and birds and animals are singing themselves into being; this autumn land is dreaming and I am part of that dreaming.” -Sharon Blackie


“I am out with lanterns, looking for myself.” —Emily Dickinson

Walking into the Labyrinth

This afternoon, I crawled through cobwebs in the attic to retrieve two full snakeskins and several partial snakeskins that someone had shed at the same place in the eaves. I tried to talk to the AI about a woman with snakes for necklaces, but I wasn’t happy with any of those, so I altered a picture of myself.

I led Sunday School today with a Poetry for Advent theme: Feeling our Way Into the Darkness. One of the various prompts I offered for writing was to write a poem in a labyrinth. I printed out copies of Lisa Gidlow Moriarty’s Dancing Woman Labyrinth. This afternoon, I pulled phrases from my labyrinth poem to make this.

Darkness calls.
My shadow blends
into shifting Shadow,
and I am borne upon wave
upon wave of indigo shade.
I am uncertain
but unafraid
stepping into
the fresh adventure
of unknowing.


Gratitude List:
1. Crows
2. Treasure trove of snake skins I found in the attic
3. Pileated Woodpecker in the treetops
4. The songs and conversation about Mary in church today. In the stories we tell, so often she has no agency, but we get to choose how we tell the story, who we make of her. For someone who daily prays the rosary, this was a particularly meaningful morning.
5. Poetry, and how it opens us to ideas, to each other, to Words.
May we walk ever in Beauty!


“People talk about medium. What is your medium? My medium as a writer has been dirt, clay, sand—what I could touch, hold, stand on, and stand for—Earth. My medium has been Earth. Earth in correspondence with my mind.” —Terry Tempest Williams


“The country is in deep trouble. We’ve forgotten that a rich life consists fundamentally of serving others, trying to leave the world a little better than you found it. We need the courage to question the powers that be, the courage to be impatient with evil and patient with people, the courage to fight for social justice. In many instances we will be stepping out on nothing, and just hoping to land on something. But that’s the struggle. To live is to wrestle with despair, yet never allow despair to have the last word.” —Cornel West (2005)


“Do one thing every day that scares you.” —Eleanor Roosevelt


“There is a stubbornness about me that never can bear to be frightened at the will of others. My courage always rises at every attempt to intimidate me.” —Jane Austen