Dreaming in the Exile: There are whales in a large pool/ pond at little town where I am staying. I remember watching a video of a woman who could talk to whales, so I try making those sounds, and they come to where I am. One of them, a little orca with a toothy grin, keeps finding colored dice on the bottom of the pool and spitting them out of the water at me. When I throw them back, the little orca chases them–like a dog–and brings them back.
Later, I take a dawn walk from my bungalow through the village. I stop to check on friends, and hear beautiful piano music from the front of the house (my friends rent the back). I realize that the man who lives there knows I make this walk every day, and plays his piano every morning just for me. Later, someone in the village is hurting, and one of my students stands up and takes charge, without any panic, and calmly takes the person to the hospital. I am proud or her.
Thinking: I have dreamed of whales before, and it always seems to signal some big thing in my deeper layers of self, something wanting to make itself known. Usually I encounter dream-whales in pools and ponds. This one was in a village, and so I think it may be connected to something in my Deep Self connecting to the importance of my village right now, of the ways we check up on each other, the ways we play, the ways we make music and poetry and art to delight each other, the way we rise to the needs of the occasion. I am proud of us. Of you.
( My family does not like dice games as much as I do, but today, I think I am going to do the mama-beg, and get them to play some Tenzi with me.)
Gratitude List: 1. Phoebe and red-winged blackbird have added their voices to the chorus. 2. Redbuds and cherry trees are blooming. Forsythia is blooming. Welcome, Spring! 3. In the midst of chaos and anxiety, I love the strong voice and careful speech of PA’s Secretary of Health, Dr. Rachel Levine. She exudes competence. 4. The Village of All of You. 5. Jon Weaver-Kreider
I was an usher at a school production of Beauty and the Beast this weekend. There are wolves in the show. Actors dressed in toothy masks chase Maurice through the woods, and later the Beast chases the wolves away from Belle. I checked in with some of the kids in the audience about the wolves. Some of them thought they were scary. They all loved the wolves, scary or not.
One mama of a small child said, “A wolf ran past and growled in my face. I growled right back!”
I thought that might be a good way to deal with scary creatures. What a marvelous way to answer the things in my brain that scare me: growl back. I said I might try that in my dreams the next time I was confronted by a scary thing. I would growl back, right in its face.
The small child said, very matter-of-factly: “I wouldn’t do that. I use my candy.”
Candy? We pressed her for details.
“I leave a trail of wrappers for them to follow.”
Now I was getting confused. I thought we were talking about monsters. “Who do you mean by them?”
“The monsters,” she confirmed. “I want to see if they’re smart enough to follow the trail of wrappers.”
Instead of running from the monsters, instead of simply confronting them with their own growling attacks, this fearless child does psycho-social experiments on the monsters in her dreams. I’ve heard people say that one way to deal with the unknown, to respond to strong emotions, is to stay with your curiosity, to keep yourself in the place of wonder. This tiny person has worked that one out for herself in her dreams. Hmmm. How smart are these things, really?
Ask: “What would happen if I. . .?” And then engage. Instead of running away from the things that scare us, what would happen if we turned our curious minds to wondering about the fears themselves, and left a glittering trail of candy wrappers to see if they follow? How could I do this with my big worries: About the state of my country? About climate change? About the future for my children?
What if, instead of getting lost on the endless hopeless trails of anxiety about the unknown, I would simply walk forward toward whatever possible solutions the future might hold, leading the monsters behind me? Poke them. Prod them. Tickle them. What will they do?
Gratitude List: 1. Being in a show again. Along with my usual ushering duties, I sang with a small group in the pit, to boost the sound on the big chorus numbers. It was a delight and a joy to participate in a really small way. 2. The show is over. Wondrous as it was, I am glad to get back to a regular schedule. 3. Last night, I sent my application for a writer’s residency. Now I can let go of that. I’m a small fish in a big pool for this one, but even applying has been delightful, thinking about Edwidge Danticat (the judge) reading my writing. 4. The poetry of Julia Esquivel and Ernesto Cardenal, both Guatemalan poets. I’ve been reading her poetry in response to an article about her in Sojourners magazine, and last night I heard that Cardenal had died, so I have read some of his poetry in response. They both use their words to confront the violence of systems and empires. 5. I heard geese in the dawn a few minutes ago. It’s particularly haunting to hear them so early. I like haunting sounds, like geese in the dawn, like a faraway train whistle, like a solitary sparrow in a quiet hollow, like leaves rustling underfoot.
When they are babies or small children, each child at my church is held and blessed by one of our pastors, and told: “You are known and loved by God.” Whatever your word for that great and unknowable–but personal and tender–Mystery, know this today and always: The One who is the Source and Cause of all being, all Beauty, all Knowing, all Making, loves you. Knows you. As intimately as a painter who cherishes the tiny green dot of color in a painting, which she knows is there, which she placed there with purpose. You are deeply and singularly beloved.
Gratitude List: 1. Contemplating Longing and Belonging, and the Web upon which we all live and move. 2. Deep sleep. Somehow, at this point of middle age, sleep has become a regular visitor to this list–perhaps because it’s not so regular in real life 3. How dreams teach me about myself 4. Artistic processes–whether it be collage or poetry or doodles, or simply seeing and listening 5. All my Beloveds. You’re in my heart, on my web. I cast a line from me to you today. Take hold.
I am grateful for deep, deep sleep during this Twelvenight. How blessed it is to rest well and soundly.
The consequence, of course, is that I do not remember my dreams, except as impressions, or fleeting images. Last night when I went to sleep, I asked for a word to come to me in the night. I would like a word to contemplate in the coming year, and I was hoping that the deep-self Fool might cast one up out of a dream as it sometimes does.
This morning I woke up not with a word or a narrative or images, but with a sense of the small standing up to the big, pushing back the tide of largeness that threatens to overwhelm the tiny.
Of course my subconscious would toss me such a morsel after yesterday’s meander with anxious demons. This potential for war with Iran has me panicky and anxious. I think I am managing the worry, mostly, but it takes a lot of deep intention and careful breathing. Of looking for news and analysis. Of ignoring news and analysis. Of connecting with others who believe that the people must stand up and say that we do not want war, that we have no quibble with the people of Iran and Iraq, that we want peace for our children and for the children of Iran. That the big powers must not have the last word about the world where the small ones will live.
And so the message of the morning is of the small ones pushing back the big ones. This coming week, Women in Black, a local Lancaster group connected to a worldwide peace movement, will stand silently on our courthouse steps with signs expressing our desire for peace. We may read Iranian poetry. We may weep. We may simply stand silently, as women have stood for decades, for centuries perhaps, in the public square, to tell the powers that be that we do not sanction sending the young ones to die in old men’s wars.
Then we will walk down the block to join in a larger community protest against war with Iran.
They will tell you that you are unrealistic. They will tell you that you do not understand. They will tell you that we must kill before we are killed. They will tell you that world affairs are for the patriarchs to decide. They will tell you to go back to the hearth and the kitchen and the children. And then they will take those children and turn them into machines for their wars. And we must be ready to stand between them and our children. A flowing river of women, of grandmothers, of sane men, too, standing between the powers of the angry old men and the children of the US and Iran. Take my hand. Hold the line.
Gratitude List: 1. The women, and men too, who are pledging to be Love in the face of hatred and war. 2. Despite appearances to the contrary, reason and humanity do often prevail against the powers of the angry old men. 3. Interspecies relationships. I love waking up curled into a ball with a small creature tucked into the circle of me and purring. 4. The poetry of Rumi and Hafez, from Persia, modern-day Iran. And for the poetry of modern Iranian poets. Yesterday afternoon, I read poems by Forough Farrokhzad. 5. Morning mist is magical.
So many of the little treasures that wash up on the shore of my consciousness after a night of dreaming seem insignificant, silly, unconnected. This morning, I woke up really early with my mind tugging at a joke it was making, about someone with the last name of Waters who had a son named Wade. Weird brain.
I know where my deep-self elf pulled the word Wade from. Yesterday one of my friends posted one of those word searches where the first three words you see are to predict something about your coming year. The words are always sweet and inspiring. I saw HEALTH, and GRATITUDE, and WADE. Wade? I think that word got into the search by accident, but there you have it. And then I think, the inner fool sent it back to me again, as a sort of joke. If I keep to the beachcombing metaphor, this one is a really odd-shaped piece of who-knows-what. It’s interesting enough, if it doesn’t seem to have any particular meaning. Into the collecting bag it goes.
Later, in my more complete and final waking of the morning I am dreaming: We are staying with friends at a little bed and breakfast sort of place in a sort of European-seeming city-town. I wake up really early and wander around the courtyard a bit. After a while, one of our friends wakes up and makes a fire in the fireplace in the kitchen. We sit and talk, but I wish we had made the fire in the courtyard by the garden, to watch the sun rise and feel the morning breeze.
Later, I go up to the second floor to pack up some things, and I open a window and look out at the sunrise. The landscape before me is green and rolling, first the gardens of the town, then rolling hills, and finally deep blue sky and the sun rising in a halo of rainbow. (There’s rainbow again.) I am filled with a sense of complete well-being.
I woke into the waking day to a grey-fog-filled hollow, which has its own kind of deeply satisfying beauty. I love the mystery of a good fog.
Do your dreams bring you satisfaction? Are they unsettling? I am paying attention to that sense of wellbeing I felt at the end of my dreams. The deep-self speaks in feelings as well as in images.
Gratitude List: 1. Fogs and mists 2. The long view 3. Mysteries–both holy and mundane (maybe they’re the same thing) 4. How people show up, even when it’s hard 5. Our friend’s surgery seems to have been successful. We pray that he will now be cancer free and on the road to recovery.
As I process the dreams I have been having, I have been making and gathering symbols of my psychic flotsam of the past week or so. A couple summers ago, we went to the Visionary Art Museum in Baltimore. I took a picture of a door handle that was a wing, and did some digital altering. This morning I happened upon it, and noticed that it resembles the black wings of the vultures in my dreams a couple nights ago:
And yesterday as I was bringing in the trash cans, I noticed a little pile of corn husks I had brought back from a walk weeks ago and left in a planter. I had intended to make a corn dolly. Yesterday, I picked them up and started to work, but suddenly what I saw in my head was a jester, a fool, rather than a pioneer woman. So this happened:
Neither corn dolly nor straw man, she is a corn jester, a jokester, a trickster. Now I need to find some really good rainbow images. Oh! We did see faint sundogs yesterday afternoon! Rainbow spots.
Last night’s dream feels more like an anxiety dream than anything, but I don’t want to discount the images. I am sitting on a table in the middle of a church basement, leading a service or meeting of people gathered in a circle around me. I have to keep turning to face people in various parts of the circle. I am talking to a woman I keep calling Bibi (which means grandmother in Swahili), honoring her for the work she’s done, noting that she deserves the break that she is taking. A young man with a scruffy beard begins to pray, and I am sort of relieved because I wasn’t sure I could make the meeting go as long as it’s supposed to. But this man starts to ramble, making l-o-n-g pauses and using lots of Father-god and Lordy phrases, and I know that we’re all getting sort of uncomfortable with this almost militant gendering of the Holy One. Finally, the pastor, who is sitting next to the man, nudges him, and he sort of comes out of his prayer trance and sits up, and it’s over.
More hints at something to do with bringing patriarchal assumptions to light. I don’t know how that might be something new for the coming year. I am really tired of battling the patriarchy, tired of sidestepping them and ignoring them and waiting for them to finish. I want to jump back to wings and fools and rainbows. Hmm. Maybe instead of battling the patriarchy, I need to be the Fool to the crumbling system in the coming year.
Oh, and there’s the Bibi, the grandmother. Maybe it’s time to let the grandmothers rest and begin taking on the work they leave behind.
What are the images and messages you are receiving? What animals are crossing your path? What is catching your eye in these days of Time Out Of Time?
Gratitude List: 1. Eating and laughing with good friends. 2. Sundogs 3. Wings 4. Making things 5. Watching and Listening
Today, some notes on the dreamwork I do during Twelvenight. I just read Caitlyn Matthews’ blog post, “The Omen Days: The Twelve Days of Christmas,” the most thorough consideration of the folklore and legend of the intercalary days (December 26 to January 6) that I have been able to find in a long time. Twenty or so years ago, I had done some reading about this season in the medieval calendar and pieced together my own practice for this period of Time out of Time. I’ve lost my original sources, so it was a delight to find her writing.
The search for omens and divination for a coming year may feel superstitious and strange to you. I think of the dreams and images that roil in my head during these days as guiding archetypes and images for the coming year. The observation of my dreams and the search for images in waking life is, for me, like being a beachcomber carefully combing the sand for anything the ocean of my psyche may toss up. Pick up a pretty shell here, a pebble there, a piece of driftwood, an oddly-shaped something of no known origin. When I lay them out on a table and examine each, some of them seem to fit into groups and categories, while others get discarded. Some I can make immediate sense of, while others I carry with me for months, loving them for their inscrutability, hoping that they’ll offer me a connection at some later point in time.
These inner labyrinths we’ve been traversing and exploring in the quiet work of Advent are also vast and unknowable oceans, tossing up bits of flotsam for us to examine. It can happen in recurrent dream messages, where the little hard-working elf of my deep self sends pictures and stories to try to get my attention. We don’t speak the same language, the deep self elf and I–she communicates in images and oblique stories that my waking self must interpret.
The same process often happens in waking-life observations and meditations. Several days ago, I wrote about the Fool, the topsy-turvy tumbler who offers true wisdom to the wise ones, often in the form of riddles. In the days since, the archetype of Fool has caught fire in my imagination, recurring to me throughout the day. I keep finding more that I want to say about the Fool. Then I read the seven little books that my family bought for me from Hedgespoken Press. One, in particular, Twilight by Jay Griffiths, is a prose-poem essay, a thoughtful meandering through the deep symbolic qualities of twilight. One of his primary images is the Trickster, the Fool. My own deep-self elf began to do a little dance. If she could speak in words, she’d be yelling, “See? See? Do you see the connections?” Instead, a deep satisfaction, a nearly audible visceral click occurs somewhere in my inner spaces. I get it, deep in my gut.
And so, for me, I think this year may have me following the path of the Fool, searching for that click again. Because my brain loves intellectual work, part of my exploration will include searching through Shakespeare for fools and fools’ talk. Because of Lear’s Fool, I trust Shakespeare on this. I might have to do some collage work or painting or doodling of fools. And when I see a representation of the Fool or the Sacred Clown or the Trickster in the mundane world, I’ll recognize her and we’ll wink at each other.
In some of the circles I work and play with, we do careful dreamwork together, telling dreams and reflecting on their symbols. One of the things we try to do is to tell the dream in present tense. It can take some work to get into that groove, but the immediacy of the present-tense telling often draws forth images and colors and general weirdness that get ignored in a past-tense telling. All storytelling is a process of choosing which details to tell and which to ignore. We try not to censor out the odd and seemingly-insignificant details in our dream-tellings. Often those deep-self elves have a purpose in the sudden shifts, when your sister is now a sparrow or you step out of bed and find yourself walking on air. In dream-tellings, the truth is often in the weird. Then when others reflect on the dream, we are careful not to baldly interpret. We rarely say, “I think your dream means. . .” More often, it’s “That red dress really catches my attention. I wonder if you have any associations with red?” Dreamwork seems to proceed best when done dreamily. Interpretation is fluid and watery, not calcified. And no one is an expert. We all have skills at noticing.
As often happens in dreams, last night’s setting was in a big rambling building. Sometimes, even though the rooms and halls are unfamiliar, my dream-mind knows exactly here I am. For years, my building dreams were located in my grandmother’s house, though not in any rooms that existed in my waking reality. School dreams have frequently recurred, as have various hotels.
Last night’s dream is in a school. I’m in the library, talking to a couple of colleagues. We are discussing giving an extension on a big paper to a student who has been sick. Students are looking for books. Out of the window, in the long straight rows of orchard trees, a vulture keeps spreading its wings wide against the green of the leaves. I can see the individual feathers and how the light shines on them. At some point in the discussion, I find that I am holding a small figurine of the bird, and my colleague says, “Oh, that’s just a crow.”
As we are leaving, important visitors come into the library, mostly men in short-sleeved button-up shirts and ties, with pens in their pockets. They look like Mennonite men from the seventies. They enter the library in two straight lines. I smile politely and edge past them. They feel like history, like people from my childhood, and so I am kind of drawn to them, but wary as well. I don’t really want them to notice me.
Yesterday, it felt somehow wrong to end the storytelling about the horrors of the day with my dream of the night before. Only a fragment, really: I am walking sock-footed up wet stairs around the outside of a big old rambling house, carrying a folding chair because I want to sit on the roof and watch a rainbow.
So, my current collection of Twelvenight deep-self flotsam for now contains a Fool, shining black wings, and a rainbow. I think the patriarchy is walking through there somewhere, too, but I will wait and see what connections that one makes. Oh, and that solemn phrase from two days back: “There’s more than two ways to think about it.” This table of gathered flotsam is going to get pretty full in the next nine nights!
What about you? What has been roiling and boiling inside you in these last days and weeks? What does the dreaming season have to tell you?
Gratitude List: 1. I can feel the light returning. 2. While I’ve been grateful for deep sleep, last night’s troubled sleep offered me more memorable dreaming to work with. 3. The seven little books that my family bought me for Christmas from Hedgespoken Press. Seven Doors in an Unyielding Stone is the name of the series. I love the writers: Terri Windling, Rima Staines, Tom Hirons, Jay Griffiths and more. I love the feel of them in my hands. They’re little and thin. I love the design, the font, the paper choice. I have been mulling and muddling self-publishing some more of my poetry for several years now, and this design is so compelling and enchanting, I might let it inspire me to next steps with that work. 4. This lo-o-o-ong break. Do you know what it feels like to breathe deeply and satisfyingly after you’ve recovered from the panting of a long walk or run? That. 5. Messages from that deep-self elf: dreams, contemplations, messages, archetypes, images, flashes of color. Psychic flotsam. The poetry of the deep inner realms. 6. Bonus: There are now 1000 condors! I can distinctly remember when there were fewer that 25, and I think there were only 8 in the wild!
The song is sort of like the Christmas version of Ninety-Nine Bottles of Beer on the Wall. Will it ever end? It goes on and on, repeating the lists of ducks and swans and rings and dancers and servants until you just want the song to be done already! And it’s always on, in a thousand versions, all during the holiday season. But does anyone really know much about the Twelve Days of Christmas?
Like so many of our modern syncretistic celebrations, the Twelve Days of Christmas is a mishmash that holds within it the tradition of Catholic and Orthodox days of feasting and/or fasting and pagan mysticism and revelling, in this case Yuletide and Saturnalia. Shakespeare used this period as the setting for his play Twelfth Night, in which people take on different identities, and things are never as they seem.
These are the High Holy Days, Time Between Time, another period in which to meditate on the coming of the Light. These are also the days of the Lord of Misrule, when a young person or a peasant would perform the duties of the Lord of the Castle for this season, usually ordering wild parties and feasting and dancing. The Fool is ascendant, and the King takes orders. Having just finished a study of King Lear, I am pondering the strange wisdom of the Fool these days, and the foolishness of kings. No, I’m not making a political jab here. This is more inward, more mystical. We each have our own Ego-Ruler who sits on a golden throne and arranges things as they ought to be in order to maintain meaning and order. We also have an inner Child-Fool, who wants to set things tumbling, to play, to shift the patterns of inner law and order.
Have you ever noticed how much our modern depiction of Santa’s elves and their hats resemble to old Medieval fools and their foolscape? I have a slowly-growing theory that the Fool/Clown is so crucial to our human sense of equilibrium, and that this ancient western Medieval character of the Fool so satisfyingly fulfilled that role, that we have maintained the Fool in the character of Santa’s elves.
The “elf” hat my brother gave me for Christmas twenty years ago would look perfectly reasonable on Lear’s Fool. And here’s another thing: One of our favorite family Christmas movies is Elf. What is Will Ferrell’s Buddy if not the quintessential Fool? He doesn’t fit in “polite” society. He doesn’t know how to behave. He’s embarrassing and childlike. And he’s the wisest person in the story. The father kept trying to order things in his fashion, kept trying to maintain meaning in the only way he knew how: making money and having corporate power creates a safe social order. But Buddy came into his realm and, in that utterly cringey moment, sang, “I love you, I love you, I love you!” And the world began to topple.
This is a season when we recognize that the social order is not cast in stone, that kings fall and fools rise. Buddy the Elf gets a cynical city to believe in Santa Claus. The Fool leads the mad King through the storm and the fens. And, in the story that Christians are celebrating, a tiny baby turns the world upside-down. The child of a poor and insignificant family on the far-flung edge of the empire comes to upset the social and religious order.
Jesus is the Fool. He wanders, he questions, he turns everything upside-down, he tells his listeners, over and over: “You have heard it said, but. . .” This Holy Fool disobeys the law and order that have been set up by the people in power to maintain the power structures. Perhaps some of the struggle that Christianity faces today is that we keep wanting to make him the King. We want the seeming sense of the powerful ruler, and we eschew the seeming foolishness of the Fool. But in truth, the Kings are all mad and the Fool has wisdom to offer, if only we will hear.
His mother knew, didn’t she, when she spoke her prophecy poem while he somersaulted in her womb. He fill the hungry with good things and send the rich empty away. He will cast down the rulers from their thrones and raise up the lowly. Amen, Hallelujah. Here comes the Holiest of Fools.
Dreamwork: If we keep up the labyrinth metaphor, these are the days of the walk out of the labyrinth–having considered what we lay down and let go on the inward journey, we now look at what we pick up for the coming year. I use Twelvenight for dreamwork. It’s more live Sixteennight for me actually, because I start really paying attention at Solstice. I mine my dreams for words and images that will accompany me into the coming year. I let the Fool of my dream-brain inform the Queen of my waking brain, offering up seemingly disjointed and disconnected ideas and words and pictures to break down the logical-intellectual meanings my day-brain has created.
This year, the valerian in the medicine I took to fend off that cold seems to have kept me sleeping well for days after. I have been sleeping deeply and satisfyingly in the last couple of days. This means I am not remembering much in the way of dreams. But this morning I woke up with this somewhat grammatically-challenged phrase in my head: “There’s more than two ways to think about it.”
My day-brain is a little offended. Duh! I’ve done that one already. I’ve meditated on both/and as a solution to either/or thinking. I’ve read everything by Richard Rohr on non-dual thinking. This is one of my core concepts. But the Fool wants me to learn it again, so who I am to fight it? More than two ways. . .
Gratitude List: 1. Fools and foolishness 2. Wisdom from unexpected places 3. b n v <–Sachs wrote that when he walked across my keyboard. Yes, Fuzzy Friend, I am grateful, so grateful, for the cats and for kitty kisses. 4. Chocolate 5. Days warm enough for me to take a walk.
When I walk a labyrinth, I like to take my time in the center, to pause and rest, to give space in the holy hush between in-breath and out-breath for something new to enter. In this December labyrinth, we’ve walked through increasingly dark passages, exploring the shadows, examining our own little lights, reflecting on the interplay between darkness and light.
Today the planet begins her inward spin again, back toward equilibrium, away from the outer point of our elliptical whirl. And there’s a feeling–much more poetic than scientific–of pause here at the edges. Just the slightest sensation of being between.
Breathing, like labyrinth-walking, is a steady in and out process. And like the labyrinth, it isn’t necessarily a simple in-and-turn-and-out journey. Between each breath is a little doorway into a room between breaths, a space where something new may enter.
And so, in this moment on the planetary spin, this space between breaths, this pause, this doorway, this room, we sit and we wait for what is to come. Here we sit within Time out of Time. The wait for Sunreturn is over, but Advent continues.
In the Christian tradition, we are waiting for the Child of Light to appear, for the angels to shine forth and announce a Birth. We ask ourselves what this welcome means. Is it a mystical moment, only an inner dawning? Is it a psycho-socio-political moment when we consider what it means to welcome the ones who are caught on the margins without hope of help? Is it simply the re-telling of an ancient tale? What are we waiting for?
Here in this dark, quiet room in the space between breaths, we have time to consider what it is we are waiting for. It’s not about the urgency of a child’s breathless anticipation of presents and play. We prepare these inner rooms, watch our dreams and visions, notice the way the breath moves in and out, and pauses. We wait.
Gratitude List: 1. Oyster Stew at the Town Hall Restaurant, where my father used to take my grandmother. I felt like Grandma was there, too. Even Santa stopped by, and gave us all candy canes. 2. Watching my brother teach my son to play guitar. Watching my nephew painting with my son. Playing games together, eating together. I am so grateful to be raising my children in these circles of village. 3. The twinkle and sparkle of lights. 4. The space between breaths. 5. Walking and waiting with you.
Such a strange and wakeful night it was. The borders between sleep and unsleep were oddly porous. Toward the end there, I did fall into deeper grooves of dream and sleep. I don’t feel particularly unrested, so there’s that. Perhaps it’s the load of work still to get done this week, or the doings in the House today, or the season, or the excitement of going to play practice again after twenty-five years. Or maybe it was simply cats and digestion.
This season, I have been reading Gayle Boss’ All Creation Waits again, learning about the various states of torpor and hibernation and quiet of various animals throughout a northern winter. I, too, feel torpor taking me, but it’s not always about deep sleep for me. Sometimes, it feels more like a simple need to rest quietly and profoundly, while the stories play out in my brain.
Winter is, for me, the Dreaming Time. I do head more readily toward sleep, if I don’t always actually make it to the deepest waters. After Solstice and Christmas, in the hush of nights when the planet seems to pause in its dance, as she begins the whirl back to exquisite balance, I listen more closely to my dreams, watching for symbols and images and words that I might mine for use in the coming year. Already, my night-brain seems to be readying me for the work of conscious dreaming.
Now comes the work of remembering and sorting the images that come in those half wakeful moments between the dreaming and sleeping and waking. May your dreams bring you wisdom.
Gratitude List: 1. The startling talents of my students. 2. The wisdom of dreams and darkness 3. Break is coming 4. Only 3 days until Sunreturn 5. Little spaces in the coming day in which to breathe