Gratitude List: 1. The satisfying pinkish shine of a well-scrubbed copper-bottomed pot. 2. The clucks and buzzes and twitterings of the people in the bushes on the late migration south. 3. Rain and wind. I love storminess. I remember when Miss Gehman showed us the Olivier version of King Lear in high school Shakespeare class–It was the storm that sold me, the King and his Fool out in the storm. 4. There really are windows everywhere. You just need to know how to look. Sometimes when life is intense, it’s just hard to see them. 5. The urgency of Greta Thunberg and Autumn Peltier and their cohort.
“There is still a place for you at our table, if you will choose to join us,” the young man said. “Yes,” people chorused, “even now, there is a place for you.” –Starhawk, The Fifth Sacred Thing
At the end of The Fifth Sacred Thing, when the military forces are over-running their city, Maya and the others decide on this strategy: They approach the soldiers and tell them they have set a place for them at the community table. They know that some of them, in the moment of invitation, will be shot and killed. They know the situation is dire. But they decide to appeal to the humanity of their enemies.
Can I say to the fiercely adamant Trump supporter on my Facebook threads: “There is a place for you at our table of welcome, if you choose to join us?”
Can I say it to the racists who are spouting venom and hatred?
Can I say it to the fear-mongers who scapegoat immigrants and Muslims and Latinx?
Could I say it to Mr. Smucker, my local representative, who consistently votes against everything I stand for, and for everything I stand against?
Could I say it to a denier of the climate Crisis? To a Monsanto exec?
Could I say it to Mitch McConnell? To Mr. Trump?
It’s an invitation that requires some self-reflection: “. . .if you choose to join us.” It doesn’t condone the soldier’s violence. It begs a different relationship, a sideways step across the line. It offers a way out for the individual trapped in a cycle of violent words and actions.
I am unsettled and twitchy these last few days about my own position in this story, my own lack of empathy and welcome. I’ve been working really hard at keeping the conversation to a high level. Still, in conversation this weekend, I said something to the effect that this administration has drawn the racist and homophobic cockroaches into the light. A dear and wise friend firmly and kindly called me on it. Just days after I wrote something calling out the president for calling people animals, I was calling people cockroaches. In my defense, I was being metaphorical. I didn’t intend to dehumanize, I tell myself. But what did I intend? Why use such metaphors? We tend to stomp on cockroaches. There’s a verbal violence for you. I can’t defend such language.
My friend encouraged us to look at people’s needs, to ask what needs are not being met when a person chooses, either verbally or physically, to harm another. This is the beginning of empathy.
In The Fifth SacredThing, the community was willing to risk their lives for the truth of this question. Am I willing to risk letting go of some of my protective rage so I , too, can invite people to the table? What will we be asked to risk if we offer this invitation? It’s not about destroying healthy boundaries. The community was actively standing up to the soldiers. Still, they chose to offer their enemies a choice, a way out.
My personal rhetoric in these difficult times has had a strong edge of boundary to it. I believe that to fight the evil (yes, evil) that is harming children and families and communities, we must declaim the truth. When a president uses a constant barrage of lies in order to confuse and demoralize the populace, truth-telling is a necessary and powerful act.
I wonder if there are ways that I can hold firmly to the truth-telling, and still set the tables in the rooms of my words in ways that invite my rivals to sit and eat and be nourished. Can I speak against the lies in ways that invite those who believe them to tell their stories and share their pain? And perhaps become transformed rather than entrenched?
“We die. That may be the meaning of life. But we do language. That may be the measure of our lives,” said Nobel Laureate Toni Morrison, who joined the realm of the ancestors this week. She told the truth, directly and fiercely. And she also knew the power of words to heal, the power of narrative to create a bridge to a more just future: “This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”
And further: “Is there no context for our lives? No song, no literature, no poem full of vitamins, no history connected to experience that you can pass along to help us start strong? You are an adult. The old one, the wise one. Stop thinking about saving your face. Think of our lives and tell us your particularized world. Make up a story. Narrative is radical, creating us at the very moment it is being created. We will not blame you if your reach exceeds your grasp; if love so ignites your words they go down in flames and nothing is left but their scald. Or if, with the reticence of a surgeon’s hands, your words suture only the places where blood might flow. We know you can never do it properly–once and for all. Passion is never enough; neither is skill. But try. For our sake and yours forget your name in the street; tell us what the world has been to you in the dark places and in the light. Don’t tell us what to believe, what to fear. Show us belief’s wide skirt and the stitch that unravels fear’s caul. You, old woman, blessed with blindness, can speak the language that tells us what only language can: how to see without pictures. Language alone protects us from the scariness of things with no names. Language alone is meditation.” ―Toni Morrison, The Nobel Lecture In Literature, 1993
I don’t know if I can do it with grace and brilliance, with fierceness and tenderness. But I can try, as Morrison requests. Language has magic to it. As a teacher of language and a writer, I take that seriously. Let’s apprentice ourselves to the powerful human magic that language offers us, to create spaces within our words where our rivals may find a space to rest and consider, where we may all be transformed, and the future may be created with love.
As an epilogue, I offer you this song by Mary Gauthier, “Mercy Now.” Click the link, sit back, and listen.
Several years ago in mid-September, I was sitting in the parking lot at Temple Beth Israel with boxes of vegetables for our CSA pick-up. During the hour and a half that I was there, at least thirty monarchs floated southward above my head. Like the birds and the dragonflies, monarchs are migrating now, too.
We used to go to the beach at this time of year, when most people have gone home for the summer. No crowds to get in the way–only warm water, cool breezes, and all the wingfolk flying south: flocks of a thousand swallows, and dragonflies and monarchs. The Wetlands Institute at Stone Harbor, NJ has a Monarch Migration Festival every September.
It’s the hummingbirds and the monarchs that really get me, such tiny and vulnerable little bodies sailing out over the Gulf to Mexico, to South America. Dragonflies look like little machines, like helicopters built for the distance, but even they are vulnerable to weather, far out over the Gulf.
Now is the season for refueling, preparing for the leap into the blue, water and air. What will I risk in this space of my life? What void will you leap into? Like those orange butterflies, we can trust that the long journeys of the past and the knowledge of the ancestors that lives in our own wings will inform our own flight.
Orange wings dip in farewell–
monarch catches a breeze
and wings toward the Gulf.
(I don’t really have a seasonal word as such in this haiku, but the second part of it is about the migration, so that gives the clue.)
1. Limber. Jon used this word yesterday to express something to do with fluid thinking. I like that word, especially as I am more and more aware of how the aging process demands more focused work on keeping the body limber. I like to think that my mind can also be limber if I keep it exercised.
2. Clouds: In yesterday’s sunrise, the clouds were first tangerine and indigo. Magenta. Then ivory and indigo and gold against a Maryblue sky. Clouds of mist hung low over the fields, pooling around the ankles of the cows. Clouds hung low over the River. Layers of clouds filled the sky.
3. Monarchs. Yesterday I took a walk and found four large caterpillars munching on milkweed behind the greenhouse. Eat well, little ones.
4. Janelle’s bees. The Middle School Science room has a hive right in the room. The Queen was quietly holding court, the larvae were squirming to get out of their little chambers, and the workers were dancing directions to each other.
5. This year’s Silhouette staff. That’s the school literary magazine. We had our first meeting yesterday, and they are so eager and willing to get right down to work. I think it’s going to be a really great year.