On these November days, instead of writing a daily poem, as I have for most of the past eight Novembers, I am writing short pieces of prose: fiction, meditation, dream. This morning’s piece was simply a telling of last night’s dream:
The hillsides are covered with loosely growing trees, not quite close enough to be woods, and yet woods, for all that. Some places are woodsy enough that no sky shows through, though there is space enough between to see through them down the hillside to where the paths curve and separate. To the east, the trees open out toward bare grassy hillside and the smell of the sea. In the shade at the edges of the wood, three tidy white-washed Baba Yaga huts stand on stilts in a sandy courtyard, and further off, beyond the first grassy hill, smoke rises from a little village.
The trees are sinewy and resinous, Mediterannean, not pine—more like laurel, if laurel were thirty feet tall. The trunks are thin and many-branched, but open, and the leaves are mostly at the crowns, letting light filter magically through. All is green and blue and twinkling golden. Though there are no people, there is the sense of people, the presence of people doing people things.
In your head, a soundtrack starts to play, a woman’s voice talking about a sudden and catastrophic event, how one moment one notices the short bursts of steam rising from individual trees, curiously taking in the strange phenomenon, and then, suddenly, the whole wood will combust, not a long-burning, raging conflagration, but a whoosh of fire that’s there one moment, and in the next is gone, leaving bare and charred hillsides. You wonder why there are no signs to warn visitors off the paths. And then you notice the explosive bursts of mist and steam puffing from random trees on the hillside below you. Should you start to get nervous? If the voice is correct, it could happen at any moment. But you are entranced, curious, unable to give yourself to fear. You turn onto a path that leads up the hill toward the Baba Yaga courtyard, intending to explore the little huts, to see if anyone lives there. At the edge of the courtyard a long tube suddenly rises, like a cannon being aimed for a blast, and powerful jet of water bursts into the air, raining down on the little houses, raining down on you, sparkling through the sunlight, wetting the trees. Looking back the way you came, you can see several more of the water cannons discharging their spray through the groves and woods covering the lower hillsides.
You wander through the small village beyond the Baba Yaga houses, where people wander, eating foods from the markets, taking pictures beside the quiet houses, murmuring to each other. You look back over the hillsides where you have been wandering, and the trees have vanished. At the edge of the village, the green grass ends at bare soil. Everything is gone. Despite the water precautions, the woods and pathways are gone. An enormous yellow bulldozer rumbles over the destroyed land.
1. Dreams and their messages
2. Many sources of light
3. The lull after the grading storm. There’s so much more to do, but after a weekend of fierce grading, I took a break last night and rested.
4. The line of orange light along the horizon at dawn
5. New England clam chowder when it is made well
May we walk in Beauty!